At the age of 16, Martha Coolidge was raped by a fellow student. This experience, and in particular the emotions and rhetoric in its aftermath, forms the starting point for this Brechtian film, in which Coolidge re-enacts the event and places the creative process in the foreground. From the beginning, there is a clear distinction between the fictional scenes, in which the acting is deliberately slightly affected, and the documentary sequences, in which the actors discuss their roles and their own experiences. This produces a dialectical film about the gray areas of adolescent sex, and the web of insecurity, ignorance, privilege and performance pressure that can so easily turn into a toxic cocktail. Coolidge further complicates matters in the intense rehearsal scenes, in which it is often not clear to the viewer what agreements have been made and whether they are being adhered to. Thus, these scenes themselves also enter gray areas, confronting the viewer with the ease with which boundaries can be blurred, shifted and crossed when they are not clearly drawn.
2026-06-13 03:01:28，最后更新于 2月前
◎影片名称：不是幅漂亮局面 （Not a Pretty Picture）
◎影片类型：剧情
◎豆瓣链接：27082790
◎IMDb链接：tt0073467
◎影片时长：83 分钟
◎影片导演：玛莎·库利奇
◎影片编剧：玛莎·库利奇
◎影片主演：里德·伯尼 Jim Carrington Michele Manenti 黛安娜·岣特 Anne Mundstuk
◎上映日期：1976-03-27(美国)
◎影片地区：美国
◎影片语言：英语
◎更新时间：2026-06-13 03:01:28
◎影片剧情：
At the age of 16, Martha Coolidge was raped by a fellow student. This experience, and in particular the emotions and rhetoric in its aftermath, forms the starting point for this Brechtian film, in which Coolidge re-enacts the event and places the creative process in the foreground.
From the beginning, there is a clear distinction between the fictional scenes, in which the acting is deliberately slightly affected, and the documentary sequences, in which the actors discuss their roles and their own experiences. This produces a dialectical film about the gray areas of adolescent sex, and the web of insecurity, ignorance, privilege and performance pressure that can so easily turn into a toxic cocktail.
Coolidge further complicates matters in the intense rehearsal scenes, in which it is often not clear to the viewer what agreements have been made and whether they are being adhered to. Thus, these scenes themselves also enter gray areas, confronting the viewer with the ease with which boundaries can be blurred, shifted and crossed when they are not clearly drawn.
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