Elisabeth is married to a German and has a young daughter. She leaves her husband and child behind to trace the path of women's rights activist Flora Tristan (1803–1844). The young, French historian takes the train to Lyon, where the early socialist spent the year before her death trying to create a Workers' Union; ten thousand of them would later join her funeral procession. Elisabeth roams the streets and byways, using a Dictaphone to record the sounds of the city. Her goal is to reconstruct a sense memory of Tristan's life, and in doing so, she finds the city to be an historical echo chamber: “Maybe I should have become a private detective”. During her research, stroller Elisabeth delves into different time periods. Her search for traces of history is an attempt to construct recorded history as a series of subjective recollections. And at this point in time, Blind Spot has itself become an historical documentation – in dolly shots and stills, the film “inhales” Lyon's working class neighbourhood of La Croix-Rousse, which has today become the hipster district.
2026-06-13 10:42:11，最后更新于 2月前
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电影《里昂之旅》的剧情详细介绍
◎影片名称：里昂之旅 （Die Reise nach Lyon）
◎影片别名：Blind Spot
◎影片类型：剧情
◎豆瓣链接：30460649
◎IMDb链接：tt4842290
◎影片时长：112 分钟
◎影片导演：Claudia von Alemann
◎影片编剧：Claudia von Alemann
◎影片主演：丽贝卡·保利 德尼兹·佩隆 Jean Badin 莎拉·斯特恩 Maurice Garden Pierre-Emile Legrand
◎上映日期：1980-08-21(爱丁堡电影节),1981-02-15(西柏林电影节),2019-02-15(柏林国际电影节, Digitally restored version 2018)
◎影片地区：西德
◎影片语言：德语,法语
◎更新时间：2026-06-13 10:42:11
◎影片剧情：
Elisabeth is married to a German and has a young daughter. She leaves her husband and child behind to trace the path of women's rights activist Flora Tristan (1803–1844). The young, French historian takes the train to Lyon, where the early socialist spent the year before her death trying to create a Workers' Union; ten thousand of them would later join her funeral procession. Elisabeth roams the streets and byways, using a Dictaphone to record the sounds of the city. Her goal is to reconstruct a sense memory of Tristan's life, and in doing so, she finds the city to be an historical echo chamber: “Maybe I should have become a private detective”. During her research, stroller Elisabeth delves into different time periods. Her search for traces of history is an attempt to construct recorded history as a series of subjective recollections. And at this point in time, Blind Spot has itself become an historical documentation – in dolly shots and stills, the film “inhales” Lyon's working class neighbourhood of La Croix-Rousse, which has today become the hipster district.
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