A young Aboriginal couple bring home their second baby. What should be a joyous time takes a sinister turn as the mother starts seeing a malevolent spirit she is convinced is trying to take her baby. Adapted from his award-winning short and made with the producers of The Babadook and Talk to Me, Jon Bell's debut feature draws from Indigenous lore for a thematically rich supernatural tale that quickly establishes the lurking menace of a child-stealing spirit. Its simmering suspense empathetically builds around the fragile psychology of a new mother, blurring the lines between exhaustion, paranoia, and postpartum depression. In exacerbating her isolation and hopelessness, Bell shrewdly accentuates traditional tools of oppression to reveal a darker allusion to Australia's stolen generations — the tens of thousands of First Nations children forcibly removed from their families through the government's assimilation policies — which the filmmaker calls a “massive wound in the psyche of Australia.” The Moogai bears its terrifying resonance out of sublimated trauma.—JN 源自：https://festival.sundance.org/program/film/6569ff27fac9f446d2c03b90
2026-07-13 07:46:00，最后更新于 1月前
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电影《偷孩恶灵》的剧情详细介绍
◎影片名称：偷孩恶灵 （The Moogai）
◎影片别名：偷孩鬼
◎影片类型：剧情,惊悚,恐怖
◎豆瓣链接：36235932
◎IMDb链接：tt21609514
◎影片时长：86 分钟
◎影片导演：乔恩·贝尔
◎影片主演：贝拉·希思科特 托比·莱昂纳德·摩尔 塔拉·莫里斯 Clarence Ryan SHARI SEBBENS MEYNE WYATT TESSA ROSE
◎上映日期：2024-01-18(圣丹斯电影节)
◎影片地区：澳大利亚
◎影片语言：英语
◎更新时间：2026-07-13 07:46:00
◎影片剧情：
A young Aboriginal couple bring home their second baby. What should be a joyous time takes a sinister turn as the mother starts seeing a malevolent spirit she is convinced is trying to take her baby.
Adapted from his award-winning short and made with the producers of The Babadook and Talk to Me, Jon Bell's debut feature draws from Indigenous lore for a thematically rich supernatural tale that quickly establishes the lurking menace of a child-stealing spirit. Its simmering suspense empathetically builds around the fragile psychology of a new mother, blurring the lines between exhaustion, paranoia, and postpartum depression. In exacerbating her isolation and hopelessness, Bell shrewdly accentuates traditional tools of oppression to reveal a darker allusion to Australia's stolen generations — the tens of thousands of First Nations children forcibly removed from their families through the government's assimilation policies — which the filmmaker calls a “massive wound in the psyche of Australia.” The Moogai bears its terrifying resonance out of sublimated trauma.—JN
源自：https://festival.sundance.org/program/film/6569ff27fac9f446d2c03b90
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