She purchased a ticket of no return to Berlin-Tegel. She wanted to forget her past, or rather to abandon it like a condemned house. She wanted to concentrate all her energies on one thing, something all her own. To follow her own destiny at last was her only desire. Berlin, a city in which she was a complete stranger, seemed just the place to indulge her passion undisturbed. Her passion was alcohol, she lived to drink and drank to live, the life of a drunkard. Her resolve to live out a narcissistic, pessimistic cult of solitude strengthened during her flight until it reached the level at which it could be lived. The time was ripe to put her plans into action. The movement of transformation in this film has the opposite trajectory as the previous film Madame X. There women come from very specific backgrounds to journey into the unknown, here a woman without a name comes from an unknown place and engages in a most specific sight-seeing tour of Berlin based on her interest in alcoholic beverages. In a sense this project also represents the exploration of the unknown, and death and destruction await her equally at the end of each journey, that to the extreme outer regions of adventure as well as that of total narcissistic retreat into the self.
2026-06-24 21:37:45，最后更新于 2月前
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电影《一个女酒鬼的肖像》的剧情详细介绍
◎影片名称：一个女酒鬼的肖像 （Bildnis einer Trinkerin. Aller jamais retour）
◎影片别名：Portrait of a Female Drunkard,Ticket of No Return,单程车票,Bildnis einer Trinkerin
◎影片类型：剧情
◎豆瓣链接：2059612
◎IMDb链接：tt0078861
◎影片时长：108 分钟
◎影片导演：乌尔里克·奥廷格
◎影片主演：塔贝亚·布卢门谢因 玛格达琳娜·蒙特祖玛
◎上映日期：1979-11-09
◎影片地区：西德
◎影片语言：德语
◎更新时间：2026-06-24 21:37:45
◎影片剧情：
She purchased a ticket of no return to Berlin-Tegel. She wanted to forget her past, or rather to abandon it like a condemned house. She wanted to concentrate all her energies on one thing, something all her own. To follow her own destiny at last was her only desire. Berlin, a city in which she was a complete stranger, seemed just the place to indulge her passion undisturbed. Her passion was alcohol, she lived to drink and drank to live, the life of a drunkard. Her resolve to live out a narcissistic, pessimistic cult of solitude strengthened during her flight until it reached the level at which it could be lived. The time was ripe to put her plans into action.
The movement of transformation in this film has the opposite trajectory as the previous film Madame X. There women come from very specific backgrounds to journey into the unknown, here a woman without a name comes from an unknown place and engages in a most specific sight-seeing tour of Berlin based on her interest in alcoholic beverages. In a sense this project also represents the exploration of the unknown, and death and destruction await her equally at the end of each journey, that to the extreme outer regions of adventure as well as that of total narcissistic retreat into the self.
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