As befits the man who was called Monsieur 100,000 volts, Gilbert Bécaud displays all the charm and magnetism he was famous for in this film; he is playing two characters, Julien Barrière and Éric Perceval. One is a drifter with no fear, the other is a timid pianist in the cabaret run by a very jovial Gabriello. The lovely Françoise Arnoul is courted by both men. The plot is unnecessarily complex: there is Julien's evil uncle Ludovic (Jean Toulout) who wants Julien to do something--don't know what really--and three louts keep turning up wanting to beat Julien up. Françoise Arnoul as Marinette the waitress is the soul of charm: here she is playing a nice girl instead of the vixens she became known for. I give ten stars for Bécaud and the rest of the superb cast, but only four for Carné's uninspired direction, the fake sets and the candy-floss color cinematography. Carné is trying to repeat the successes of the past and it does not work; a more improvisational feeling, relying more on Bécaud's magnetism would have been better.
2026-06-13 00:45:23，最后更新于 2月前
电影《我来的那个国家》的剧情详细介绍
◎影片名称：我来的那个国家 （Le Pays d'où je viens）
◎影片别名：The Country I Come From
◎影片类型：奇幻
◎豆瓣链接：2253810
◎IMDb链接：tt0049602
◎影片时长：94 分钟
◎影片导演：马塞尔·卡尔内
◎影片主演：弗朗索瓦·阿努尔 Gilbert Bécaud
◎上映日期：1956-10-19
◎影片地区：法国
◎影片语言：法语
◎更新时间：2026-06-13 00:45:23
◎影片剧情：
As befits the man who was called Monsieur 100,000 volts, Gilbert Bécaud displays all the charm and magnetism he was famous for in this film; he is playing two characters, Julien Barrière and Éric Perceval. One is a drifter with no fear, the other is a timid pianist in the cabaret run by a very jovial Gabriello. The lovely Françoise Arnoul is courted by both men. The plot is unnecessarily complex: there is Julien's evil uncle Ludovic (Jean Toulout) who wants Julien to do something--don't know what really--and three louts keep turning up wanting to beat Julien up. Françoise Arnoul as Marinette the waitress is the soul of charm: here she is playing a nice girl instead of the vixens she became known for.
I give ten stars for Bécaud and the rest of the superb cast, but only four for Carné's uninspired direction, the fake sets and the candy-floss color cinematography. Carné is trying to repeat the successes of the past and it does not work; a more improvisational feeling, relying more on Bécaud's magnetism would have been better.
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